Cindy

SOMA – Mac Dre

 Posted by on December 21, 2011
Dec 212011
 
SOMA
Langton Street
This Mural has been painted over (6/2012)

Mac Dre was a rapper, born in Oakland, lived in Vallejo, convicted of conspiracy to commit robbery and killed by a bullet from a passing car in Kansas City.  His bio on Wikipedia is really rather interesting.  If you are interested in his music style this is fascinating reading as well.

The artists on this mural are ICP Crew (Inner City Phame).  “The first graffiti I saw when I was a kid growing up in the Mission was the Chicano writing on our walls,” says Twick, ICP veteran and original member of the group of close-knit friends, founded by Il Charo (then named Jes 446) back in 1988. “We called it Cholo writing, because that’s what it was. The walls decorated the names of the gang members of the neighborhood.”

“I fell in love with the art form right away and wanted to duplicate what the writers in New York were doing,” Twick recalls. Along the way Twick found a mentor in Antie 67, who introduced to him the values and elements of hip-hop culture – from the craft of lettering to break dancing and emceeing. It was an apprenticeship. Like many other kids, Twick felt pulled into an exciting and creative underground world, one that for the most part, kept him out of the real trouble. “I didn’t choose my destiny my destiny chose me,” he says.

“Soon enough more and more crews popped up, a unique Bay Area style developed and an ever-evolving ICP made a name for itself on the walls across the city. “We dubbed the style we do Phunk,” Twick explains, “meaning, knowing the foundation of a letter and creating from that: stretching it here and there, adding connections – some arrows and a few bends in the right places with a shadow or a 3d.” Funkified calligraphy is readable, unlike widlstyle, which has helped ICP garner a large audience of appreciators and street notoriety.”

The quotes above are from a May 2010 article in the Bay Guardian.

SOMA – One Tree

 Posted by on December 20, 2011
Dec 202011
 
SOMA
10th and Bryant

This mural is by Rigo.  This piece was done in 1996.  Rigo has been in this website many times before.  He was born and raised on the Portuguese island of Madeira. He later established himself as an artist in San Francisco, earning a BFA from San Francisco Art Institute in 1991 and an MFA from Stanford University in 1997. From 1984-2002, Rigo used the last two digits of the current year as part of his name, finally settling upon “23” in 2003.

SOMA’s Fun Creatures

 Posted by on December 19, 2011
Dec 192011
 
354 5th Street

This work is by Sirron Norris. Born in Cleveland, Ohio he graduated from the Art Institute of Pittsburgh, eventually settling down in San Francisco in 1997. Sirron worked as a production artist in the video game industry while he perfected his skill set as a fine artist.  In 1999, Sirron quickly gained notoriety from his first showing at The Luggage Store.

Sirron was the recipient of the prestigious Wattis Artist in Residence from the Yerba Buena Center for the Arts in 2002.  It was during that residency that he coined the term “Cartoon Literalism” as a description of his work.  The term emphasizes the use of cartoons as a vehicle to express life.

His rather extensive body of work, and a complete bio can be found on his website.

 

20th and Bryant Streets
San Francisco

November 2014 update – The garage on 5th street has been painted over – it now has just a remnant of Norris’ work and looks like this…
DSC_4627

Lango on Jessie

 Posted by on December 18, 2011
Dec 182011
 
SOMA
6th Street and Jessie

This series of murals is by Lango.  Lango has been in this website many times, and I am a big fan of his work.  You can more of his work here.  This is a rough part of town, so I am not sure how or why this wall was chosen, but they are really just gorgeous.

 

 

Parkside – Taraval Police Station

 Posted by on December 17, 2011
Dec 172011
 
Taraval Police Station
2345 24th Avenue
Parkside Neighborhood, San Francisco

This gorgeous building is the Taraval Police Station.  It was built in 1924 and designed by Martin Rist.  1996 brought a complete restoration and renovation.

This piece is over the door to the community room at the police station.  It is by Scott Donahue.  Scott has a BFA from Philadelphia college of art and an MFA from UC Davis.  He has taught at UC Berkely, UC Davis and California College for the Arts.

The piece is titled Kate, Allen, Javier, Ting-Ting, Sloanie and done in 1996 of concrete, fiberglass and steel.  The artist described his work “The sculptures and surround niche were made to match the color and texture of this historic police station across the street from a tot lot at McCoppin Square Park.  I made my sculptures fully three-dimensional and lively to contrast the existing Greco/Roman style low relief artwork over the front door of the police station.”

His website  shows a large body of work, all over the world.

Ocean View Branch Library

 Posted by on December 16, 2011
Dec 162011
 
Ocean View Public Library
345 Randolph, San Francisco

The front of the Ocean View library is adorned with two marvelous sculptures on either side of the door.  It was done out of cast Glass Fiber Reinforced Concrete with integral color.

The left panel shows a young tree, with landmarks of the old Oceanview District, some still standing and some now gone, in the background.
The artists are husband and wife team Mark Roller and Colette Crutcher.  According to Colette’s website it was made under the auspices of the San Francisco Arts Commission for the new branch library in the Oceanview District, at Randolph and Ramsell St., near the southern boundary of the city. Neighbors from the area had petitioned the City for a new library in this sadly neglected community. They wanted aspects of the history of their neighborhood to be included in the artwork.  Colette and Mark have been in this website before and will be featured in the future as well.  Not only are they friends of mine, but they are a vital part of the public art scene in San Francisco.
The panel on the right features a mature tree and a representation of the present/future of the District. Both trees bear fruit adorned with letters and symbols representing the languages and traditions of world culture

The round circles are letters from various alphabets around the world, the one on top is Thai, the one on the bottom is cyrilic.

Ocean View Branch Library was the 15th branch established in the San Francisco Public Library system. The first Ocean View Branch Library opened in 1903 on Broad Street near the corner of Capitol Avenue. The new Ocean View Branch Library, at 345 Randolph Street, was opened on June 7, 2000. It was the first branch building to be built in San Francisco since 1969. The San Francisco Bureau of Architecture designed the two-story building. The cost of the building was $2.5 million. Private funds were raised for the equipment and furniture within the branch.

CCSF – Up Tight

 Posted by on December 15, 2011
Dec 152011
 
Ingleside
San Francisco City College
Ocean Avenue

This is titled Up-Tight #1 by Jaques Overhoff.  Mr. Overhoff has been in this blog before with a piece on SF City College campus.  Up-Tight #1 is painted concrete.  The name was to symbolize the stabilizing effects of the tension cables.  That made absolutely no sense to me until I found an earlier photo of the piece.

Obviously some restoration is in order for this piece that was installed in 1977.

 

CCSF – Sentinels

 Posted by on December 14, 2011
Dec 142011
 
Ingleside
San Francisco City College
Ocean Avenue Campus
*
*
Sentinels by Aristides Demetrios
This one piece is titled Sentinels.  It is by Aristides Demetrios who has been in this site before with his aeolian harp.   This piece of welded bronze plates is titled sentinels and was done in 1973.   The piece is on permanent loan from the SF Arts Commission. In May 2010 the SFAC acknowledge that there was need for a complete conservation assessment as the piece was showing significant corrosion at the seams due to trapped moisture.  It was assumed at that time that the work would cost between $40 and $50,000.  The work has not been done as of 7/2012.

SOMA – Large Pieces of Marble

 Posted by on December 12, 2011
Dec 122011
 
631 Folsom Street
SOMA

These giant pieces of carrara marble are by Richard Deutsch are titled Frammenti.  Deutsch has been in this site before and I recommend you visit his website.  He is a very accomplished artist with work all over the world.

This piece is titled Fragmented.  The day I was there the fountain was not running, but Deutsch’s website has some really gorgeous photos of the fountain while it is working.

 

Tenderloin – NBC Radio City Building

 Posted by on December 11, 2011
Dec 112011
 
Tenderloin
420 Taylor Street
Mural by C.J. Fitzgerald

Diane Winters is a tile restoration artist.  She recently emailed me about this mural that she was instrumental in restoring.  I had never seen it before, and was thrilled to get a chance to photograph it and learn a little bit of San Francisco history, I was completely unaware of.

The mural sits on the side of a parking garage, little did I know the building also housed Radio City. The NBC Radio City building in San Francisco was not owned by NBC. It was built for NBC and owned by a San Francisco investor, a dentist named Dr. Barrett. The basement and most of the ground floor were used as a public parking garage operated by Dr. Barrett. The upper four floors were used for broadcasting. Rumor has it that Dr. Barrett believed that radio was a passing fad, so he had the framework of his building designed to allow easy conversion of the rest of the building into a parking garage.

NBC moved into Radio City in 1942. It moved out when the twenty-five year lease expired in 1967. The building was a white elephant from the day NBC moved in. It contained ten studios, plus a news studio. Every studio except news had its own control room

The building is an Art Deco marvel and if you are interested in reading more of its architecture and history here is a great link.

The mural, which contains over 2,500 tiles,  measures 16 X 40 feet and begins over the doorway, on the second floor making it very hard for me to bring you really terrific photos.  Notice the hand on a radio dial.

Diane’s email had this to say “As a side note, 22 of the current tiles were made by me to replicate tiles damaged during renovations begun in 2000.  Impact from the interior side of the facade wall caused a portion of the hand and adjacent radio waves to fall off the building, fortunately landing on that “canopy” over the entrance and not on pedestrians.  I used the broken pieces and a photograph, plus glaze and blackline technique tests over the course of two years to recreate them.  I had to match more than 18 glaze colors just in that small section.  …there were 126 colors total (I don’t even want to try to imagine counting and keeping straight that many).”

I sadly, could find nothing about about C.J. Fitzgerald the original designer of the mural.

.

SOMA – Annular Eclipse

 Posted by on December 10, 2011
Dec 102011
 
SOMA
560 Mission Street
Annular Eclipse
George Rickey
George Rickey (1907 -2002)  built his career combining fundamental elements of nature and physics in the creation of his sculpture. His works include a broad vocabulary of geometric shapes and multiple devices for moving the elements in his sculpture, such as gimbals, pendulums and rotors.  Ricky constantly experimented with mechanical systems, but as he wrote in 1991, the drama in his sculpture “is in the movement, not the structure.  The means must disappear.”
*
While I am beginning to find kinetic sculptures over done in the modern landscape, I love the parklet that this one sits in.  The Landscape Architect on this project was Christian Lemon while at the firm Hart Howerton.
*

SOMA – Waterwall

 Posted by on December 9, 2011
Dec 092011
 
SOMA
100 First Street
2nd Floor
Scattered across downtown San Francisco are almost seventy semi-secret spaces, privately owned but open to the public. Subject to the fine print of a little-known pact between the city and business, these POPOS (Privately Owned Public Open Spaces) allow alluring vistas of San Francisco and access to its intimate interiors.  This little gem is up a flight of exterior stairs off Mission Street.
*
This black granite and glass piece is titled Waterwall by John Luebtow.  Over the past 30 years, John Luebtow has become one of the most respected names in contemporary glass sculpture. He holds a BA from California Lutheran College, and two distinct MFAs from UCLA (one in ceramics and one in glass).
Luebtow has devoted much of his career to teaching in Los Angeles.  His website shows off his amazing work.
*
This area is really rather lovely, there is a delicatessen on the plaza level, should you wish to stop in for a nice outdoor lunch, there are also public restrooms available, last time I looked.

Potrero Hill – Snake Mural

 Posted by on December 5, 2011
Dec 052011
 
Potrero Hill
17th and Alabama

Sometimes murals catch you, not for their quality but for their whimsy.  Take a look at the close up pictures.  This mural is by Javier Manrique, a multidisciplinary artist who has shown all over the world. This mural is on the wall of Project Artaud where Manrique lives.

The Mission Kid Power Park

 Posted by on December 4, 2011
Dec 042011
 
The Mission District
Kid Power Park
Hoff between 16th and 17th
Ethel Siegel Newlin,program liaison at St. John’s Educational Thresholds Center (now Mission Graduates) on 16th Street, is responsible for this wonderful little oasis in the city.

Ten years ago, elementary and middle school children in one of Newlin’s programs surveyed the neighborhood and found liquor stores, dry cleaners and thrift shops, but no parks. The nearest one was at 19th and Valencia.

So they went to the Recreation and Park Department’s Open Space Committee to plead their case, and won $200,000. The next year they did the same thing, and won another $200,000. The third year they won $100,000. The following year, State Sen. Carole Migden secured $1.5 million from state open space funds, bringing the kids’ total to $2 million.

They tried buying a few vacant lots in the neighborhood, but couldn’t compete against housing developers in the red-hot real estate market. They had the same problem when they bid on the parking lot on Hoff Street — until the developer learned he was competing against neighborhood kids who wanted a park.

The developer backed out, allowing the Recreation and Park Department to purchase the property on behalf of the Mission kids. Working with Recreation and Park staff, the kids helped design the park, held community meetings and even picked the name.

Overall, more than 150 kids worked on the project, many of them knowing they’d be too old for it when it finally got built.

Berkeley artist Amy Blackstone designed and fabricated the fence and gate panels along with the sculptural trellises that utilize imagery and patterns associated with the dominant cultural heritage of Mission District residents.  The fence was part of the SFAC 2006-07 budget and cost $15,000.

The Mission – Kids Power Park

 Posted by on December 3, 2011
Dec 032011
 
The Mission District
Kid Power Park
Hoff Between 16th and 17th
Our Children

 

 

 

This huge mosaic mural is by Joseph Norris.  Writing about this mural is difficult.  While I love the smiles on these children, and I think the quality of the mosaic is superior, to say nothing of producing a mosaic of this size, the artist is a problem.  Joseph Norris was arrested this June for possessing child pornography.

So while I find no point in celebrating the artist, I still feel the mosaics are worth viewing.

Robert Louis Stevenson in Chinatown

 Posted by on December 2, 2011
Dec 022011
 
Chinatown
Portsmouth Square

San Francisco remembers Robert Louis Stevenson with the first monument to Stevenson in the United States. It sits in Portsmouth Square in Chinatown.  In 1876 Stevenson was at an art colony in France and fell in love Fanny Vandegrift Osbourne, who was not only married with several children, but was 11 years his senior.  In 1878, Fanny was called home by her husband in San Francisco. After a while Fanny telegraphed asking Stevenson to join her and he headed to San Francisco.

At the time Stevenson was not the world renown author of Treasure Island, Kidnapped and The Strange Case of Dr. Jekyll and Mr. Hyde, he was just a sickly and unknown writer.  When he arrived in San Francisco he rented a room at 608 Bush Street, and often visited Portsmouth Square for the sunshine.

In 1880, once Fanny was free to marry Stevenson, they did and after a honeymoon in Napa Valley (home of the Robert Louis Stevenson State Park and a museum that is dedicated to his work), they headed back to Europe.  In 1888 the Stevensons chartered a boat for the South Seas and eventually settled in Samoa.  Stevenson died there in 1894 at the age of forty-four.

This monument was designed by Bruce Porter, landscape designer of Filoli Gardens and architect Willis Polk.  It was unveiled in 1897.  The inscription is from the Christmas Sermon in  Stevensons’ book Across the Plains.

It reads:  To remember Robert Louis Stevenson – To be honest to be kind – to earn a little to spend a little less – to make upon the whole a family happier for his presence – to renounce when that shall be necessary and not be embittered to keep a few friends but these without capitulation – above all on the same grim condition to keep friends with himself here is a task for all that a man has of fortitude and delicacy.

In his novel The Wrecker, Stevenson said this of San Francisco: “She is not only the most interesting city in the Union, and the hugest smelting-pot of the races and the precious metals. She keeps, besides, the doors of the Pacific, and is port of entry to another world and another epoch in man’s history.”

608 Bush Street

Salinas – Jose Eusebio Boronda Adobe Casa

 Posted by on December 1, 2011
Dec 012011
 
Salinas, California

The choice of building materials for the early Spanish settlers and Mission builders of California and much of the southwest of the U.S. was adobe.  Adobe is a natural building material made from sand, clay, water, and some kind of fibrous or organic material (sticks, straw, and/or manure), which the builders shape into bricks using frames and dry in the sun. Adobe buildings are similar to cob and mudbrick buildings. Adobe structures are extremely durable, and account for some of the oldest existing buildings in the world. In hot climates, compared with wooden buildings, adobe buildings offer significant advantages due to their greater thermal mass, but they are known to be particularly susceptible to earthquake damage.

Due to the earthquake damage, and general neglect, there are not as many adobe structures left in the state as once were. However, you will find them in the heart of some of the older cities of California, and thankfully, due to restoration committees and heritage societies they are being restored for all to enjoy.

Just outside the official city limits of Salinas, California is this restored adobe dwelling constructed in 1844 by José Eusebio Boronda, it rests on one of the original Mexican land grants. The Boronda Adobe is a California Historical Landmark and listed in the National Register of Historic Places and holds a museum of early Salinas and California history. Other historic buildings are located here, including the Lagunita School house John Steinbeck wrote about in the Red Pony.
Jose Eusebio Boronda Adobe Casa

Built between 1844 and 1848 by Jose Eusebio Boronda, This is an outstanding example of a Mexican era rancho adobe. Virtually unaltered since its construction.  It shows many features of the “Monterey Colonial” style which resulted from the fusion of New England and California building traditions during California’s Mexican period.

 

 

 

El Camino Real

 Posted by on November 30, 2011
Nov 302011
 
California Missions
The El Camino Real

Tomes have been written about the history of the Spanish and the Missions of California.  It was a difficult period in the history of California, fraught with inhumanity, as well as, expansion and progress.

Much of California’s history began with the Spanish Missions. The chain of 21 missions along California’s El Camino Real (“The Royal Highway”) represent the first arrival of non-Native Americans to California. Life for the California Native Americans was forever changed. In addition to Christianity and disease, the missions brought livestock, fruits, flowers, grains and industry. If you are interested I suggest you simply hop over to your library and begin your research.  If you visit California, and have the opportunity, please take the time to visit a mission or two.  They are beautiful structures and will give you a wonderful sense of how California began.

Every one of the California missions tells a story, all have been, to some extent, restored and are open to the public.

When I was growing up these bells were all along Highway 101 – the El Camino Real.  El Camino Real refers to the 600-mile California Mission Trail, connecting the former Alta California’s 21 missions (along with a number of support sites), 4 presidios, and several pueblos, stretching from Mission San Diego de Alcalá in San Diego in the south to Mission San Francisco Solano in Sonoma in the north.

In 1892, Anna Pitcher of Pasadena initiated an effort to preserve the as-yet uncommemorated route of Alta California’s Camino Real, an effort adopted by the California Federation of Women’s Clubs in 1902.  Modern El Camino Real was one of the first state highways in California. Given the lack of standardized road signs at the time, it was decided to place distinctive bells along the route, hung on supports in the form of a high shepherd’s crook, also described as “a Franciscan walking stick.” The first of 450 bells were unveiled on August 15, 1906 at the Plaza Church in the Pueblo near Olvera Street in Los Angeles.

The original organization which installed the bells fragmented, and the Automobile Club of Southern California and associated groups cared for the bells from the mid-1920s through 1931. The State took over bell maintenance in 1933. Most of the bells eventually disappeared due to vandalism, theft or simple loss due to the relocation or rerouting of highways and roads. After a reduction in the number of bells to around 80, the State began replacing them, at first with concrete, and later with iron. An El Camino Real restoration program resulted in the installation of 555 El Camino Real Bell Markers in 2005. The replacement and original bells were produced by the California Bell Company, and are dated 1769 to 1906.

The chapel of Mission Nuestra Señora de la Soledad, founded in 1791, was lost in a flood some thirty years later.  The mission, as it stands today is a recreation, begun in 1954 with funds from local supporters, it is still self supporting.

Mission San Juan Bautista was founded in 1797.  Mission San Juan Bautista is the largest of the Spanish missions in California. The mission was used in the 1958 Hitchcock film Vertigo, but the bell-wall was treated as a “bell tower” staircase, and constructed on a studio lot.

San Juan Bautista has suffered often from earthquakes, but has never been completely demolished.

 

 

 

Coalinga – Richfield Gas

 Posted by on November 29, 2011
Nov 292011
 
Coalinga
Central Valley
California
If you have ever driven Highway 5 down the center of California you have undoubtedly stopped at Harris Ranch,  a half-way point between the metropolitan areas of northern and southern California.  Just on the other side of the highway is the town of Coalinga.
In the early years of railroading, before the extensive development of oil production in California, the steam locomotives were powered by the burning of coal obtained from the northern foothills of Mount Diablo. The Southern Pacific Transportation Company established the site as a coaling station in 1888, and it was called simply Coaling Station A.
While there isn’t much to the town for tourists, there is one absolutely fabulous local museum.  The R.C. Baker Museum is the home to this perfectly restored Richmond Oil Gas Station.  You do not have to enter the museum, though worth it, to view the gas station.  It is behind a big fence however, so if you want a tour, stop by the museum itself and ask to take a look.

 

 

 

San Joaquin Valley

 Posted by on November 28, 2011
Nov 282011
 
Central Valley
California

I spent my Thanksgiving holiday driving the back roads of the San Joaquin portion of the Central Valley of California.  For those unfamiliar with the area it is a large, flat valley that dominates the central portion of California. It is home to California’s most productive agricultural efforts. The valley stretches approximately 450 miles from northwest to southeast inland and parallel to the Pacific Ocean coast. Its northern half is referred to as the Sacramento Valley, and its southern half as the San Joaquin Valley. The Central Valley covers an area of approximately 22,500 square miles, making it slightly smaller than the state of West Virginia.

I have lived in and around the valley most of my life and yet I learned some amazing new things.  First, California grows more cotton via yield than the state of Texas, and often the rest of the world.

California has long been one of the nation’s most important oil-producing states, and the San Joaquin Valley has long since eclipsed the Los Angeles Basin as the state’s primary oil production region.

The San Joaquin Valley has—by California standards—an unusually large number of European ethnicities. These communities are often quite large and, relative to Americans immigration patterns, quite eclectic: for example, there are more Azorean Portuguese in the San Joaquin Valley than in the Azores. There is also large populations of Dutch, Swedish, Armenians and Basque.

An absolutely fabulous restaurant in the town of Los Banos

There are miles and miles of nothing but agriculture, nut trees and fruit trees abound.

Yes of course there are grapes everywhere too, not just in the Napa and Sonoma Valleys of California.

Broccoli Harvest
And the most surprising to me, miles and miles of cactus. This is what the department of agriculture had to say – Cactus is a crop that sounds just about ideal for the Western U.S. First, it doesn’t use a lot of water. Second, it appeals to Hispanic consumers, one of the fastest growing population segments in the U.S. Third, it tolerates selenium, an antioxidant so desirable to another fast-growing consumer segment, baby boomers, that they purchase it in pill form. All that, and this particular variety, Indian fig Opuntia, commonly known as prickly pear cactus, doesn’t even possess those painful spines.
Prickly Pear, and its myriad of uses is found throughout the world, if you are interested in how other countries consume it here is the wikipedia link.

Potrero Hill – Umbrellas

 Posted by on November 27, 2011
Nov 272011
 
Potrero Hill
17th and Florida
Muybridge Live
Benjy Young

The photos of these umbrellas have been on my computer for quite a while.  I did not want to post them until I knew who the artist was, and that task proved elusive.  However, today was one of those days that make it all worth while.  I went back to the umbrellas, as you will be able to tell by the varying sky and took a few more shots.  I also took the time to start knocking on doors and asking who was the creator of this whimsical, wonderful installation.  Well, after a fashion, out walked the most dashing gentlemen to claim them.  His name is Benji Young, and we had a wonderful chat.

Benjy was inspired by Eadweard Muybridge.  The title, Muybridge Live, represents the concept that this is one umbrella caught on film.  The staves in-between each umbrella represent the division between each frame of film.   The sculpture intends to refer back to the medium of photographs, and what photographer doesn’t love the concept of referring media back to photography?

 

For those not familiar with Muybridge’s work he was an English photographer who spent much of his life in the United States. He is known for his pioneering work on animal locomotion which used multiple cameras to capture motion, and his zoopraxiscope, a device for projecting motion pictures that pre-dated the flexible perforated film strip.  He began to build his reputation in 1867 with photos of Yosemite and San Francisco.  Muybridges’ history in California was sealed thanks to Leland Stanford with his horse in motion studies.  If you are interested in reading more about the horse in motion study you can find it here.

100 Children

 Posted by on November 26, 2011
Nov 262011
 
Chinatown
740 Washington Street
100 Children by Leland Wong
This mural is part of the Art in Storefronts project sponsored by the San Francisco Arts Commission.  Leland Wongs  Bai Zi Tu, or 100 children is a traditional Chinese painting, that brings blessing of a complete and healthy family that goes on for generations.
Leland, a native of Chinatown, began with what he called “Chinatown” orange, and then photographed 100 children from two schools in the Chinatown neighborhood.
*
The arts commission gives each artist $500, Leland knew this was going to cost considerably more, so he left his comfort zone and went fundraising.  This panel lists all the generous donors, but what struck me as so fun and fanciful is the small block at the bottom, it reads …and the many unnamed people who threw donations into the white plastic bag being passed around by Don Huey at the WGUISFCT dinner.
*
The building was the Nam Yuen restaurant, the building was owned by the restaurateurs,  and when they left the business they let the building (last seen in this Dirty Harry clip) sit empty for twenty years.  While there is considerable litter, and some tagging,  the present situation is a great improvement to what was there for so many years.
The building has since been bought by Self Help For the Elderly. 

Portmouth Square Tot Park

 Posted by on November 25, 2011
Nov 252011
 
Chinatown
Portsmouth Square
Tot Park

In researching the artists I found this 2002 article in the San Francisco Chronicle by M. V. Wood.  I loved it so much I thought I would just reproduce it here for all to enjoy.

They were hip.

 

They were young and beautiful. And they were both artists living in San Francisco in the 1940s, when the city was already romantic, and the cars and tourists were still scarce. Their crowd ruled the scene long before the Beats bought their bongos. They were the countercultural kings when Jerry Garcia was a toddler playing somewhere along the city’s streets.

Years later, Robert McChesney would become recognized as one of the leading figures of American Modernism. His works would be in numerous museum collections such as the Whitney Museum of American Art in New York, the Art Institute of Chicago and the San Francisco Museum of Modern Art. And Mary Fuller would become a well-known sculptor and writer, awarded public art commissions throughout the Bay Area.

But back then, McChesney was an emerging, hotshot artist, and Fuller was a successful potter. They kept bumping into each other in artsy North Beach. Finally, during a gallery exhibition of his work, McChesney drew Fuller into a closet and kissed her.

Since that kiss, more than a half-century ago, the Beats had come and gone. Garcia grew up and died. The Berlin Wall went up and came down. So did the World Trade Center. And through it all, McChesney and Fuller continued creating art.

On Saturday, the couple, who moved to the North Bay in the mid-1950s, will return to their old stomping grounds in San Francisco for the opening of the Art Exchange Gallery’s show of his paintings and her sculptures.

A lot has changed in the world and in the city since they were young, McChesney says. “And all of that goes into the art,” he adds. “Everything about life influences your art.”

While 89-year-old McChesney tells the story of their early years and that first kiss, Fuller, 79, smiles. Her husband gives her a sly grin and sidelong glance, probably much like the look he gave her in that closet long ago.

Older couples who give each other that look tend to elicit a characteristic response from younger people: to cock one’s head to the side and whisper, “Oh, aren’t they cute?” It’s the same kind of endearment bestowed upon puppies and other sweet, benign creatures.

McChesney and Fuller do not elicit that sort of behavior. They’re still too wild, too passionate, too fierce to be cute.

They’re still hip.

Robert died in 2008 at 95 years of age.

The sculpture, done in 1984, is cast cement.  It represents the symbols of the Chinese Zodiac.

 

 

 

Japantown – Origami Fountains

 Posted by on November 24, 2011
Nov 242011
 
Japantown
These are two of my most favorite fountains in San Francisco.  They are by Ruth Asawa and they reside in the Nihomachi Pedestrian Mall in Japantown.

Nihomachi is a term used to designate an historical Japanese community.  Ruth Asawa has been in the site before, and her website shows the wonderful work she does with wire and other media.

In 1974, Asawa created the Origami Fountains, two lotus, fabricated in corten steel. By 1996, the steel had seriously deteriorated and the fountains had to be removed.   Due to the communities love for Ruth, it was easy to mount support to have the fountains replaced.  They were recast in bronze. Ruth was on hand for the entire process and helped to oversee the process of making molds from the original fountains as well as the fabrication and installation of the new fountains.

The Embarcadero – Rincon Annex Murals

 Posted by on November 23, 2011
Nov 232011
 
The Embarcadero
Rincon Annex
98 Howard Street
Panel #17
Panel #17. “Vigilante Justice Vigilance committees formed during the 1850’s in San Francisco to counteract excessive criminality and a weak city government. These committees handed down verdicts on their own terms. Vigilante justice was also popular in mining towns. This panel depicts vigilante actions in 1856 that resulted from the murder of newspaper editor James King of William by county supervisor James P. Casey. Casey was convicted and hanged at the same moment King of William was being buried”
Panel #20
Panel #20. “San Francisco as a cultural center The famous San Franciscans pictured in this panel are, from left to right, acress Lotta Crabtree, writer Frank Norris, horticulturist Luther Burbank, writers Robert Louis Stevenson, Merk Train, Bret Harte, publisher and writer Hubert Howe and writer Jack London. On the far-right is a scene of ghost-like WPA artists painting a mural, a commentary on the federal art programs which had ceased to exist earlier in the 1940’s. The broadside pictured in the upper center relates to the 1863 racy melodrama, Mazeppa, a play in which actress Adah Issacs Menkin appeared seemingly nude (actually in flesh-colored tights) while on horseback. “According to Rob Spoor “Cultural Life in San Francisco” originally showed books by controversial authors; they were painted out. Even Lotta Crabtree’s pink outfit was considered too risquÈ for 1950s San Francisco (but remained unaltered).
Panel #25
Panel #25. “Building the Golden Gate Bridge. Construction of the Golden Gate Bridge was begun in 1933 and completed in 1937. At that time, the 4,200 foot span was the longest in the world. The towers are 746 feet high, ship clearance underneath the roadway is 220 feet. The chief engineer, Joseph Strauss designed and built over 400 bridges during his lifetime. The Golden Gate Bridge is considered his masterpiece.”
Panel #27 World War II

Oddly, there is not explanation plaque for this particular mural.

All the descriptions following the murals on this post can be found on plaques near the murals.

Refregier was born in Moscow and emigrated to the United States in 1920. After working various odd jobs, he earned a scholarship to the Rhode Island School of Design in 1921. Refregier found inspiration in tragic events. He was quoted as saying that “the richer we [were] in possessions, the poorer we became in their enjoyment.” He said the amazing part of that period was the “human quality, the humanist attitude that [everyone] had” and the discovery that “the artist was not apart from the people.” He struggled as a muralist until the government began the Works Progress Administration.

The Embarcadero – Rincon Annex Murals

 Posted by on November 21, 2011
Nov 212011
 
The Embaradero
Rincon Annex
98 Howard Street
Panel #10
Panel #10. “Raising the Bear Flag The Bear Flag revolt established the Republic of California, one month before the United States won the territory in the Mexican War. John Charles Fremont was a prime force in instigating the revolt and William B. Ide became president of the short- lived republic. The original Bear Flag, designed by William C. Todd, flew over Sonoma for a brief time. The piece of white cloth seen lying on the ground was originally the Mexican flag. Because some people thought this was disrespectful Refregier painted it out. Its colors are still visible beneath the white overpaint.”

According to Rob Spoor, the Mexican ambassador protested the Mexican flag lying on the ground. The flag was “whitewashed” by the painter, although close examination reveals the original flag’s red and green stripes peeking through the attempted cover-up.

Panel #11
Panel #11. “Finding Gold at Sutter’s Mill.  Sutter’s mill was a sawmill on the property of John Augustus Sutter. Located on a fork of the American River, the enterprise was financed by Sutter and constructed under the supervision of his partner in the venture, James Marshall. Marshall discovered gold at Sutter’s mill on January 24, 1848 and began the California Gold Rush. The nugget Marshall found is known as the Wimmer Nugget named after Marshall’s assistant, Peter L.Wimmer”
Panel #22
Panel #22 ” Reconstruction after the fire Immediately after the quake, the national guard and army troops under the command of General Frederick Funston helped San Francisco police and firemen maintain order in the city. In addition, the soldiers prevented looting, helped with temporary housing, food distribution, communications and sanitation. Soup kitchens and tent cities in the local parks were the first signs of reconstruction. Clearing the rubble and rebuilding the city took years.”

All these descriptions can be found on plaques near the murals.

 

Rincon Annex Murals

 Posted by on November 20, 2011
Nov 202011
 
The Embarcadero
Rincon Annex
98 Howard Street

Panel #3

The murals in the Rincon Annex Post Office, have lived a long and very controversial life.  In 1941 the WPA held a competition for the murals, it was won by Anton Refregier.  He began work immediately and kept at it until they were finished in 1948, with a two year break during the war.  He was paid $26,000 for the job, the largest job ever given by the WPA in the painting/sculpture arena.

The twenty-seven murals (29 panels) are actually casein-tempra (a process of painting in which pigments are mixed with casein, or egg, especially egg yolk, to produce a dull finish) on white gesso over plaster walls.

The murals underwent 92 changes while they were being painted, all results of special interest groups.  If you are interested in reading the controversy and politics involved in these changes, Rob Spoor  has done an amazing job in his education of City Guides.

Panel #3. “Sir Francis Drake – 1579 Sir Francis Drake, an English navigator and privateer, set sail from Plymouth (England) in 1577 on a voyage around the world. According to accounts of that voyage, Drake landed in a California harbor in June of 1579. He stayed for 36 days during which time he had good relations with the Indians, repaired his ship and claimed the land for Queen Elizabeth of England, naming it Nova Albion. The precise location of Drake’s landing is not known. Various theories suggest it may have been Bolinas Bay, Drake’s Bay, the Marin side of San Francisco Bay. Bodega Bay or Point Reyes.”  Notice the blood at the end of the sword, depicting the Spanish as a bloodthirsty lot.

Panel #4

Panel #4 “Conquistadors discover the Pacific Baja California was discovered by Europeans in 1533 by a man named Fortún Jiménez of the Cortés expedition. By 1540, Ulloa, another member of that expedition had explored the Sea of Cortés. Also in that year Hernando de Alarcón had sailed up the Colorado River and in 1541 Francisco de Bolaños explored both sides of the Baja Pennisula. The first European to explore Alta California, the land above the Baja Pennisula, was Juan Rodríguez Cabrillo who sailed to the Santa Barbara Islands in 1543.”

Panel #6

Panel #6. “Preaching and Farming at Mission Dolores The purpose of all California Missions was to Christianize the Indians. In addition to religion, the Indians learned farming, building, spinning and other basic skills. All instruction was given in Spanish.”  According to Spoor  the Catholic Church protested the large belly of a friar depicted in a Mission Dolores mural while the Indians appeared gaunt. In response to these objections, Refregier performed “artistic liposuction”.

Panel #8
Panel #8 “Hardships on the Emmigrant Trail The Emigrant Trail was a term used to describe various overland routes to California in the 1840’s and 1850’s. The subject of this panel is the trail through Donner Pass in the Sierra Nevada mountains of California. Both Donner Summit and Donner Lake are named after the Geroge and Jacob Donner brothers of Illinois. Their party of 87 settlers were forced to spend the winter of 1846 along the shore of Donner Lake after being trapped by heavy early November snows. Only 47 group members survived.”
Panel #24

Panel #24. Titled – “The Waterfront 1934.   This controversial panel depicts events surrounding the San Francisco dock strike of 1934. On the left a shakedown operator demands bribes in exchange for longshoremen jobs. The center shows labor organizer Harry Bridges addressing dockworkers. The right third refers to what is known as “Bloody Thursday, July 5, 1934, when employers battle strikers to open the docks. Two longshoremen died and many on both sides were injured.”

Again, according to Spoor, The VFW and even some labor organizations were incensed that labor organizer and alleged Communist Harry Bridges appeared to be rallying workers, including one with a VFW insignia on his hat, in the mural “Maritime and General Strike,” and pointed out several inaccuracies in the three historical events depicted. The longshore workers union was especially sensitive to the association with 1930s-era Communism, from which they’d distanced themselves by the late 1940s. In response to their objections, Refregier painted out the VFW symbol.

From:  Anton Refregier: Renaissance Man of WPA
Of the 27 panels covering the walls of Rincon, the most widely reproduced (via silkscreen) is the scene “San Francisco ’34 Waterfront Strike,” which takes on the 82-day strike that crippled the shipping industry all along the West Coast. Workers were striking against low wages caused by corruption and graft, and before the outrage and rioting died down, three men were killed, out of the 31 who were shot by police and the dozens who were beaten and assaulted with gas.  Refregier did not paint violence or defeat in his mural, but instead focused on the solidarity of the union workers.

All these descriptions can be found on plaques near the murals.

 

Rincon Center Rain Column

 Posted by on November 19, 2011
Nov 192011
 
The Embarcadero
Rincon Annex Post Office
98 Howard Street

The word “rincon” means “inside corner” in Spanish.

In 1939, architect Gilbert S. Underwood, most famously known for his design of the Ahwahnee Hotel in Yosemite, designed this Art Deco-Moderne structure for the United States Post Office.

 

In the 1980s the building was put up for development by the USPS.  A 23-story mixed-use building was added on the south side of the block that contains a new post office, offices, and 320 apartments.  During excavation, a number of artifacts from the long forgotten saloons, boarding houses and laundries, of the waterfront, destroyed by the 1906 Earthquake and Fire began to emerge. The most interesting items found are on display in the lobby that contains WPA murals by Anton Refregier.

Rincon Center’s focal point is the Atrium, which features murals by artist Richard Haas that depict San Francisco’s culture, science, technology and transportation. Doug Hollis’ water sculpture “Rain Column” features 55 gallons of water falling 85 feet every minute. Its total cost was $300,000.

It is almost impossible to photograph “Rain Column”  There is a ring suspended from a skylight in the ceiling. The water showers down onto the floor, here surrounded by plants.  The sound is unbelievable and the visual is spectacular.  There is an interesting photo on Doug Hollis’ website that shows the ceiling.

The Embarcadero – History of our Street Names

 Posted by on November 15, 2011
Nov 152011
 
The Embarcadero
Looking Down and Learning History
Archetypical Gold Rush San Franciscan, Sam Brannan was first in many achievements.  He arrived in Yerba Buena by sea in 1846, leading two hundred Mormon pioneers, and founding the city’s first newspaper.  He rode through the streets of San Francisco in 1848, announcing the discovery of gold for all to hear.  In 1851, he inspired the vigilantes to take the law into their own hands and restore order to a chaotic city.  The first California millionaire, he spent his fortune in building Calistoga as a health resort and lost it all.  He died in 1889 with a twenty dollar gold piece in his hand.
Pioneer physician in California, Dr. John Townsend and his wife came overland from Missouri in 1844 as part of the first immigrant party to cross the Sierra by way of Truckee.  A founding member of the school board in San Francisco in 1847, he was elected town Alcalde (traditional Spanish municipal magistrate) in 1848.  He abandoned his office at the first news of the discovery of gold, but later returned to practice medicine at a time when the new city was being swept by epidemics of dysentery and cholera.  Moving to a farm near San Jose, Townsend and his wife died of cholera there at the end of 1851.

“A good feeling man, Townsend is much attached to his own opinions, as likewise to the climate and country of California.  His wife, a pleasant lady, does not enter into all her husband’s chimerical speculations.”    James Clyman, 1845

The wording of an actual hand lettered sign found near this spot circa 1850.
Now back to the view

Embarcadero – History of Street Names

 Posted by on November 13, 2011
Nov 132011
 
The Embarcadero
Continuing on our journey of “Looking Down”
Quartermaster’s clerk of the Stevenson Regiment of First New York Volunteers, Edward H. Harrison came from an obscure post to occupy a respectable role in the nascent civic affairs of San Francisco, becoming Port Collector in 1848 before returning to the East in 1850.  Harrison typified the ordinary men of the Stevenson Regiment, recruited from the Irish mechanics of New York, who arrived in California too late in 1847 to effect the course of the War with Mexico, but stayed to rise to prominence in the state.

“And when the Future shall mature, which now receives its birth, when California stands among the mighty powers of earth; then Californians, pause to think who brought these blessings rare.  Think who it was first pealed the note of Freedom on the air and you will learn with heartfelt praise, to bless the happy day, when Freedom took its westward flight to California.”   Anonymous member of the Stevenson Regiment – 1847

Looking up Harrison Street today.
Boston born Nathan Spear went to sea to better his health in 1819, and never returned for long.  After several journeys to the Pacific Islands he came to Monterey in 1831 and became one of California’s pioneer merchants.  Five years later he opened the first store in the new village of Yerba Buena, and ran a schooner to collect grain from around the bay for milling in the region’s first flour mill.  Always proud of his American citizenship, his dreams were realized when the stars and stripes were raised over San Francisco.  Hard working and modest, he exemplified the pioneer New England entrepreneur.
Spear street today, under one of the footings of the Bay Bridge.
First publicist of California Edwin Bryant came overland from Missouri to the coast in 1844.  Arriving after many hardships, in 1846 he worked to secure California for the United States.  His account, What I Saw in California, published in 1848, made the overland journey attractive for legions of settlers.  After holding positions of civic distinction in San Francisco, he returned to Kentucky to lead the life of a gentleman scholar.  He lived to see the state whose interests he had done so much to advance joined to the Union by the transcontinental railroad, and retraced his wagon route by palace car in 1869.

“The heads of thousands of grave and prudent men are turned, at the distance of two thousand miles from the scene of enchantment, at the stories of wealth in California to be had for the asking”

Edwin Bryant 1849
In the mid -1850’s a Chinese settlement appeared along the bluff, above a narrow beach–just south of Bryant Street, and west of First Street.  Believed to be a small fishing encampment, numbering about 30 small structures on the 1859 Coast Survey Chart, the site has been the subject of archaeological investigation.
Looking up Bryant Street today.
error: Content is protected !!