Clara Porset

 Posted by on July 7, 2016
Jul 072016
 

Nespresso is running an ad for Cuban Coffee. On Sunday June 26, 2016, they took out a full page ad using Hemingway’s home in Havana as the perfect backdrop. There in the photo were two exquisite Clara Porset chairs. I thought it time to talk about her.

Courtesy Museo Franz Mayer, Mexico D.F.

Courtesy Museo Franz Mayer, Mexico D.F.

Clara María del Carmen Magdalena Porset y Dumás was born in Matanzas, Cuba on May 25, 1895.

Born into wealth she had the luxury to be educated in New York at Columbia University’s School of Fine Arts, as well as in Paris, where she attended classes at the Ecole des Beaux Arts, the Sorbonne, and the Louvre.

In 1940 Porset made a cheaper version of William Spratlings Butaque chair. These are the ones in Hemingway's home.

In 1940 Porset made a cheaper version of William Spratlings Butaque chair. These are the ones in Hemingway’s home.

In 1922 she was exposed to the Bauhaus school of design and had hoped to study in Germany, however, Hitler was on his way to power and her dream went unrealized. During this period she met Walter Gropius and Hans Emil “Hannes” Meyer who’s continued correspondence and friendship would help her to finally achieve her goals of Bauhaus study.

In 1932 Porset returned to Cuba and began working as an interior designer, designing for both private and public clients. She often gave lectures with the goal of educating the Cuban public about the principles of modern design. She also worked actively to promote her profession, arguing that the role of the interior or furniture designer was just as important as that of the architect.

However, she was a leftists in a country ruled by the Machado dictatorship. Under the advice of Gropius and Meyer she left for the United States and spent a summer at Black Mountain College in North Carolina where, she took a course taught by Josef Albers (modeled closely upon the course he had taught at the Bauhaus school).

Porset would adhere to the tenets of Bauhaus throughout her life.

Porset Chairs

The revolution in Cuba kept Porset from returning.  She settled in Mexico with her husband, the painter and muralist Xavier Guerrero.

Porset returned to Cuba in 1960 and received commissions from Che Guevera.  She also designed furniture for the Camilio Cienfuegos School, a teacher training school in Sierra Maestra. She designed furniture for the National Art School designed by  architects Ricardo Porro, Roberto Gottardi, and Vittorio Garatti.

During this time she was also designing furnishings based on the traditions of Cuban colonial furniture, with curved shapes, wicker work, and fabrics.

Her number-one priority was the founding in Cuba of a School of Industrial Design, but due to outside circumstances the school was never realized.

She eventually returned to Mexico where, on the campus of the National Autonomous University of Mexico (UNAM), she founded a School of Industrial Design.

Dorset died in Mexico in 1981.

The Miguelito Chair. Photo courtesy of Factory Havana

The Miguelito Chair. Photo courtesy of Factoria Habana

Photo courtesy of Factoria Habana

Photo courtesy of Factoria Habana

In 2016 there was a retrospective of Clara Porset’s work at the Havana Design Biennial.  Designboom did a wonderful article on the retrospective that you can read here.

Casa de Velazquez

 Posted by on July 7, 2016
Jul 072016
 

Parque Cespedes
Santiago de Cuba

Casa de Velazquez

Diego Valazquez was the first governor of Cuba.  He was a cruel despot by all accounts, but his home, built in 1515 still stands as the oldest colonial-era house on the island.

The home is of the Mudéjar style (or Hispanic-Moorish).  This style is characterized by its balconies, carved ceilings and the intricate geometric patterns found in the tile, metalwork and even the furniture.

Celosos

These patterned wooden screens are called celosos.

The one outstanding characteristic of the Velazquez house are its celosos.  They greet you at the front door, covering the second floor balcony, and then are found throughout the house screening the walkways from the hot Cuban sun.

Ceilings of Casa Velazquez

The boat shape of the ceilings throughout the original house suggest that ship builders may have been involved in the building of this home.  The very intricate patterns of the ceiling timbers are derived from Arab architecture.  This joining of wood in intricate patterns hides the joining of short timbers.  This was only possible during the colonial period when wood was still abundant.

Casa Velazquez house cuba

These intricately carved ceilings are called alfarje. Alfarje (meaning paneled ceiling) is a type of horizontal wooden ceiling primarily found in Islamic and Spanish Moorish architecture. The ceiling structure is made through a series of beams called girders, sometimes intricately carved and stylized.

 

Alfarjes of Cuba

It is said that the lower floor contained the Crown’s Forge and Contract Office, while Diego Velazquez used the upper floor as his residence. Experts argue that in its backyard, which in the past led directly to the sea, there was a small fortress.

The second floor of what is said to be the house's gold forge.

On the second floor, looking down into  what is said to be the house’s gold forge.

Two letters by Don Diego to his Majesty Philip II as early as August 1519 mention that gold was being forged there.

 

Standing on the second floor of the original home

Standing on the second floor addition that connected the old home (on your right) with the original.

The home went under a complete restoration between 1965 and 1970. The restoration was overseen by professor Francisco Prat Piug. The house then opened as the Museum of Cuban Historic Ambience.

One of the many chandeliers throughout the 19th century addition

One of the many chandeliers throughout the 19th century addition

The complex includes a 19th century residence, said to be the home of a chandelier maker. A patio was added between the two homes at some time, but is not original to the 1700 structure.

The tile floor of the original home.

The tile floor of the original home.

A close up of the second floor door that can be seen from Park Cespedes.

A close up of the second floor door that can be seen from Park Cespedes.

The much later patio that sits between the two structures

The much later patio that sits between the two structures

Some of the pottery on display in the museum

Some of the pottery on display in the newer portion of the museum

Parque del Ajedrez or Chess Park

 Posted by on July 6, 2016
Jul 062016
 

Santo Tomás and Enramada Streets
Santiago de Cuba

Chess Park Santiago de Cuba

Betancourt follows many of the strictures of one of his mentors “A building should appear to grow easily from its site and be shaped to harmonize with its surroundings if Nature is manifest there.” – Frank Lloyd Wright

This small corner park was designed by American architect Walter Betancourt.

Betancourt was born in 1932 in New York, son of Cuban parents that had escaped to Florida during the Cuban War for Independence.

Parque del Ajedrez, Santiago de Cuba

The park works itself into the contours of the streets starting with an easy entrance at the street level.

As a child of Cubans, Betancourt vacationed often in Cuba. After graduating with a degree in Architecture in 1956 from the University of Virginia, Betancourt entered the US Navy where he served, coincidentally enough, at Guantanamo.  Significantly, Betancourt was in Cuba during the July 26th coup attempt on the Moncada Barracks by Fidel Castro.

Cuban Park

The focal point is a angular fountain that has been turned off.

After leaving the military Betancourt moved to Los Angeles to work with Richard Neutra.  This was an unpaid job and only lasted six months as it is said that the job did not meet Betancourt’s expectations, or live up to his ideals.

During this period of time the revolution in Cuba was growing, so in 1959 after being interviewed by Frank Lloyd Wright and being offered a position at Taliesen, Betancourt, instead headed to Cuba to dedicate his skills to the revolution.

Chess Park in Cuba

One works their way up the park to a nice little cafe that sits under the canopy. This mimics the hills of Santiago de Cuba.

Betancourt arrived in Havana in 1961 but quickly moved to Holquin and eventually settled in Santiago de Cuba. By this time most architects had fled Cuba so the work to launch a new building program by Castro was left to the younger generation.

This building efforts goal was to reapportion wealth after the Bautista regime.  The hopes were high, and architects experimented with new forms and materials to help define the Cuban definition of Modernism.

Park in Cuba

Betancourt is credited with fifteen built buildings, and another 30 unbuilt buildings before his early death at 46 in 1978.  His was the last era of private practice architects in Cuba.  In 1963 the Castro regime abolished the practice of architecture and shut down the College of Architects.

Chess Park, Santiago de Cuba

Interestingly, modern architecture tended to thumb its nose at tradition and tended to stay away from symmetry. The symmetry in this park is striking in its use.

Clouds in the Mountains

 Posted by on March 10, 2016
Mar 102016
 

Santiago de Cuba

Clouds in the Mountains by Rene Negrin

Nube en la Cordillera – Clouds in the Mountains by Rene Negrin – 2010

In December of 2010, the city of Santiago de Cuba held its first Rene Valdes Cedeño Public Sculpture Symposium, an homage to an artist and teacher who authored works as important as the Cuba’s Abel Santamaria Monument.

Sponsored by the Caguayo Foundation and the Advisory Council for the Development of Public Sculptures and Monuments, the symposium seeks to promote sculpting in marble and metals.

The second Symposium was held in November of 2013. This sculpture is a result of the first symposium. The same year Negrin also had the entry Lluvia en la Cordillera  (Rain in Mountains)

Rene Negrin was born September 28, 1949. He is a consulting Professor of Artes Plasticas at the Superior Institute of Art in Cuba.

In this situation Artes Plasticas is not necessarily a literal translation to Plastic Art. The term has also been applied more broadly to all the visual (non-literary, non-musical) arts (such as painting, sculpture, film and photography).

Negrin studied at the National School of Art, the Superior Institute of Art and has a master of art with a specialty in sculpture.

He is a member of the Writers and Artists Guild of Cuba and the Association of Artes Plasticas.

Jose Marti by Alberto Lescay

 Posted by on March 10, 2016
Mar 102016
 

Santiago de Cuba

Jose Marti by Lescay

Jose Marti by Alberto Lescay

José Julián Martí Pérez (January 28, 1853 – May 19, 1895) is a Cuban national hero.  Martí is considered one of the great turn-of-the-century Latin American intellectuals. His written works consist of a series of poems, essays, letters, lectures, a novel, and even a children’s magazine. He wrote for numerous Latin American and American newspapers; he also founded a number of newspapers himself. His newspaper Patria was a key instrument in his campaign for Cuban independence. After his death, one of his poems from the book, “Versos Sencillos” (Simple Verses) was adapted to the song “Guantanamera”, which has become the definitive patriotic song of Cuba.

Jose Marti by Alberto Lescay

Alberto Lescay is one of Cuba’s most prolific and well known sculptors.  He has been on this site many time before.

Alberto Lescay Merencio graduated with a degree in Painting in 1968 from the “José Joaquín Tejada” Fine Arts Workshop; In 1973 he added a degree in Sculpture from the “Cubanacán” National Art School. He became an Art Professor in 1979 at “Repin” Academy of Sculpture, Architecture, Painting and Graphic, in San Petersburg, Russia. Lescay now keeps a studio and his foundation, Caguayo Foundation for Monumental and Applied Arts,  in Santiago de Cuba.

El Pelu

 Posted by on November 11, 2015
Nov 112015
 

Baracoa, Cuba

El Pelu

This is El Pelú sculpted by Ramon Dominque Gainza.

El Pelú was a native of Coruña, Spain named Francisco Rodríguez. There is very little known about him other than at some point in his life he ended up in Baracoa, Cuba.  He apparently wandered the streets preaching until sometime around 1896 when his sermons became offensive and the town council expelled him.

Legend has it that while standing on the wharf, waiting for the boat that would send him into exile, he said “In Baracoa many good plans will be made, many good ideas will be generated, but all of them will wear away, nothing will be achieved”, this became the famous Curse of the Pelú.

El Pelu

The sculpture was done by Ramon Dominquez Gainza, a Baracoa native, born in 1943.  Gainza is considered the grandfather of Baracoan sculpture.  His work normally focuses on the native Taíno peoples.

He has exhibited throughout Cuba and Europe.

With Love and Respect for Moebius

 Posted by on November 15, 2012
Nov 152012
 

Clarion Alley
Mission District

*

 

This beauty is by BODE, CUBA and Stan153. With Love and Respect for Moebius.

Jean Henri Gaston Giraud (8 May 1938 – 10 March 2012) was a French comics artist who earned worldwide fame, predominantly under the pseudonym Mœbius, and to a lesser extent Gir (used for the Blueberry series). He has been described as the most influential bandes dessinées artist after Hergé. (Herge is known to most in the U.S. as the author of TinTin)

Among his most famous works are the Western comic series Blueberry he co-created with writer Jean-Michel Charlier, one of the first Western anti-heroes to appear in comics. Under the pseudonym Moebius he created a wide range of science fiction and fantasy comics in a highly imaginative and surreal almost abstract style.

Moebius contributed storyboards and concept designs to numerous science fiction and fantasy films, including AlienWillowTron (1982), and The Fifth Element.

 Mark Bode, son of Vaughn Bode comes by his comic style of art honestly, this tribute is heartfelt.

CUBA is the name of one of the city’s earliest known graffiti artists, still operating today. The 46-year-old Baltimore transplant moved to the Mission in 1985, when he was 21 years old.  Mission Local has a terrific video of CUBA that you can watch here.

STAN153  started in 1970 in Harlem on 153rd street and 8th Avenue. He was one of the original 3 Yard Boys and one of the founding members of Master Works Productions. He has coloborated and painted with almost every top aerosol artist in New York City. From the seventies to the nineties he has been involved in the graff movement and has done 40 shows in the U.S. and Europe. He has been documented in the first graff book ever, The Faith of Graffiti by Norman Mailer, back in 1974 and Getting Up 1984 by Craig Castleman. His clothing has been featured in Fresh the book of Hip Hop by Susan Finkler.

Lilac Alley

 Posted by on September 4, 2011
Sep 042011
 
Mission District – San Francisco
Lilac Alley
Lilac Street runs parallel to Mission between 24th and 26th Streets.  It is one of those alleys that serves no purpose other than the backs of businesses and the entry to garages.  Several organizations use the buildings in this area as canvases.  I counted the Lilac Mural Project and Mission Art 415 as just two.  There is not doubt the art changes regularly, and these are the ones I found most interesting on my visit.  I know I will return.
Signed by Big 549K Crew
Signed by Bode, Stan 153, Terms, Cuba and Twik
A garage door
Another garage door.
Signed by King 157 and Pancho
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