These two are Surveyor and Ironworker. There are three windows between these two figures. Over the central window Wight painted a bridge, which had the NRA Eagle in the center. Over the right hand window he stretched a segment of chain, and in the circle appeared the words In God We Trust, then over the last window he placed a section of woven cable and a circle framing a hammer and sickle, and the words United Workers of the World. This all proved to be entirely too controversial and it was removed before the tower opened in 1934.
Clifford Wight was born in England in 1900. He and Ralph Stackpole worked with Diego Rivera in the 1920’s. Wight came to San Francisco with Rivera to work as an assistant on Rivera’s murals at the San Francisco Art Institute. He also worked with Rivera on his Detroit mural. Diego Rivera painted a portrait of Wight into one of the frescos in the Secretariat of Education in Mexico City. He returned to England and died in 1966.
These are very good, the “Will Rogers” I especially like. And in 1934 not too many people in authority had kind words for the UWW movement.
Wonderful! What a place that tower is!
Many times I have wondered how my life would have been different if my ancestors had been brave enough to migrate west…but no they were stuck in the New England textile towns…It is murals like this that really get me wondering.
I think I like the cowboy the best. I wonder what type of workers they would paint today.
These are great portraits, a reminder of times past.
Oh, I like these individual portraits, so much. They command attention in their purity and simplicity.
[…] (Harold) Dean Their are six figures that stand alone in the Tower. (You can review the first four here). The stockbroker/banker is thought to be A.P. Giannini, founder of the Bank of Italy that later […]
[…] was delayed several months because of the controversial content of some of the paintings. Clifford Wight’s mural, which contained a hammer and sickle as one of a series of medallions illustrating the range of […]