Guglielmo Marconi Memorial

 Posted by on October 31, 2013
Oct 312013
 

Lombard Avenue
On the drive up to Coit Tower
North Beach

Marconi Monument San Francisco

 

This memorial to Guglielmo Marconi was placed sometime in 1938-1939.

A group called the Marconi Memorial Foundation incorporated in the 1930s for the purpose of enshrining Marconi as the inventor of the wireless (a fact contested by the Russians). They placed two memorials one on the slopes of San Francisco’s Telegraph Hill and  one at 16th and Lamont Streets in Washington D.C..

The Foundation collected public subscriptions from the supportive Italian-American community in North Beach, and on April 13, 1938, received permission from the U.S. Congress and President Franklin Roosevelt to erect memorials on public land. The foundation spent $65,115 for the two memorials.

DSC_5433Carved in Raymond California granite the latin on the base reads: Outstripping the lighting, the voice races through the empty sky.”

Marconi Monument Telegraph Hill

Marconi, is credited with not only developing radio telegraphy (wireless), but he brought it to England. A patent was granted him in 1896.

“In 1899 a team of San Franciscans reproduced Guglielmo Marconi’s method of communicating by radio waves and demonstrated its usefulness by sending a message in Morse code from a lightship anchored outside the Golden Gate to the Cliff House on the San Francisco Shore. This was the first wireless message broadcast on the West coast and the first ship-to-shore broadcast in the United States.”  University of Santa Clara: A History, 1851-1977 by Gerald McKevitt 

A month later Marconi himself came to America and repeated some of his experiments.

On April 27th , 1934 Marconi celebrated his 60th birthday by receiving an honorary citizenship of San Francisco. It was conferred in a ceremony at the Academy of Italy by Father Oreste Trinchieri, representing Mayor Angelo Rossi. The inventor made a 10-minute talk. Marconi recalled his visit to San Francisco and the fact that California had welcomed thousands of Italians to her bosom. He asked Trinchieri to convey to the mayor his heartfelt thanks and say that he hopes to return to San Francisco soon.

San Francisco Call

The statues are often credited to Attilio Piccirilli (May 16, 1866 – October 8, 1945)  an American sculptor, born in the province of Massa-Carrara, Italy, and educated at the Accademia di San Luca of Rome.  He in fact did do the Marconi Memorial in Washington D.C.  However, the sculpture in San Francisco has been attributed to Raymond Puccinelli by the Smithsonian Institute.

Puccinelli has been in this site before with his Bison Sculpture.  Son of Antonio and Pearl Puccinelli, Raymond was born in 1904, on Jessie Street in San Francisco, and attended Lowell High School. Puccinelli studied art in both California and Italy, and for a time maintained a studio in Lucca, Italy.  He was sculptor in residence of the  Rinehart School of Sculpture of the Maryland Institute of Art and Peabody Institute. 

View from the Marconi Memorial

 

The view from the Memorial is one reason many people don’t notice it is there.

Telegraph hill was named, not for radio telegraphy (wireless), but for the semaphore visual signaling device erected there at the instructions of ship Captain John B. Montgomery and used from 1846 until the turn of the century.

American Bison at SFGH

 Posted by on March 13, 2013
Mar 132013
 

1001 Potrero
San Francisco General Hospital
2nd Floor – Cafeteria Patio

Buffalo by Raymond Puccinelli at SFGHBuffalo by Raimondo Puccinelli

Raimondo Puccinelli, (1904-1986) born and raised in San Francisco, is known above all for his sculpture which has been shown in numerous solo and group exhibitions. His standing as a sculptor was confirmed early on, firstly by the interest shown by the great museums on the West Coast of America and then by the commitment demonstrated by influential New York galleries  in which his works were exhibited alongside the great artists of the time: as did both the Ferargil Gallery with its exhibition “Degas, Maillol, Puccinelli” and the Westermann Gallery with “Barlach, Lehmbruck, Puccinelli” in 1936. 

However, apart from the hundreds of sculptures still owned by his family, Puccinelli’s estate includes about 7,500 drawings and sketches among which 1,700 are devoted to the subject of dance. The evidence of the labels of the San Francisico Museum of Modern Art found on the original mounts indicates that, at least in the 1930s, Puccinelli’s dance drawings were also exhibited in this museum.  These drawings have remained unknown to dance experts in the USA and Europe; to this day, there is no entry under Raimondo Puccinelli’s name in the New York Public Library’s catalogue, the world’s largest dance archive. This is surprising, considering Puccinelli had an almost unique opportunity to meet the celebrities of the dance world and to draw them.

In the early 1930s, he regularly visited Ann Mundstock’s Laban Studio in San Francisco to draw from life. It was here that dancers such as Harald Kreutzberg or Yvonne Georgi took classes during their tours. It was also here at Ann Mundstock’s, that Puccinelli met and fell in love with the young dancer, Esther Fehlen, whom he married in 1940.

Puccinelli drew Katherine Dunham and her dancers, or Tina Flade, Hanya Holm, Mary Wigman and her dance group. He became friends with Martha Graham and was frequently able to draw at her New York studio; Martha Graham herself during rehearsals, but also the members of her dance group and her pupils. Guest performances of celebrated dancers in both metropolises in which he was at home led to regular personal contacts and numerous sketches  also encompassing Indian dance (Uday Shankar) or Flamenco.

 

This work, titled American Bison – Buffalo was donated to the San Francisco Art Commission in 1974.

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